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         ISSUE 12        13.11.07        SHARE IT        SUBSCRIBE
The international music industry’s most well respected night of nights, the Aria awards, took place a few weeks ago and we'll admit we’re still reeling from the highs and lows. Who could forget the moment where Rove had us rolling in the aisles with that hugely controversial joke about rockstars. Australia’s darling Keith Urban reminded us again why we love political guitar soloists, and between Delta Goodrem and Ben Lee there was enough glitz and glamour for a whole treasure trove of rubies. Big shock of the night was of course the virtual unknowns Powder Finger and The Silverchairs coming out of nowhere to steal the show, our hearts, and our ears. Someone should get them a recording contract!! And Gotye? Quasi-Experimental Jazz Fusion Funk-Pop? Groundbreaking. Thanks.

Such highs. Such lows. Truly the night of nights. Controversial. Unforgettable. Rove. .
 
 
 
 
SLEEVAGE.COM
New technology and the interweb have made every aspect of a major label’s inner workings available for twenty times less, with any innovative new band able to get their hands on a variety of means to record, release, market and distribute their music independently. MP3s, music piracy, Bit Torrent sites and Radiohead have all the majors worried for the future of their industry, and we don’t really blame them. But while we’ve all been guilty of the occasional download here and there, we still maintain that there’s a certain something about holding a sweetly-smelling, brand new album in your hands - and a small list of tiny digital files will never replace that. Sleevage.com is a new Sydney-based blog dedicated to album artwork that warns us not to plan the funeral of the physical album yet.
    COME TO DADA WELL DEEP: TEN YEARS OF BIG DADA RECORDS

Ninja Tunes is a UK independent label, and Big Dada Records is its hip hop offshoot. Only ten years old, it's a young label with a small, diverse roster - and you're wondering why you should care. You care because Big Dada gave birth to Diplo, Roots Manuva, Wiley and Spank Rock, and a bunch of other names who've taken hip hop into revolutionary territory. The label's just released its very first compilation celebrating its very first decade, a wild concoction of the best underground beats they have to offer over two compact discs. Lucky for us, it's a great release - had it been shite, the following interview we had with the label's founder Will Ashton would have been really awkward. Interview by Lachlan Macara.

TS: So you started off as a music journalist, contributing to quite a few well-respected hip hop mags. Why the decision to start a label?

WA: Two factors really. One was that I had a certain frustration with being a music journalist. You can only push what’s out there. You can rave about something on a tiny label, but if it’s just you it doesn’t make that much difference. This was tied in with the fact that I was getting a lot of great records that weren’t getting released, and I would do reviews, then get angry letters from people who would say “what’s the point of reviewing records that we can’t even buy?” It just seemed like the logical thing to get some of that music out there, rather than letting it sit in obscurity.

It was 1997 when this all started, which was around the same time commercial hip hop really started to take off. Was this a catalyst to launch Big Dada?

Yeah, I think to a certain extent. 1995-96 was probably an all time low for mainstream hip hop, as far as quality goes. The Puff Daddy era really just bored the shit out of me. But at the same time in NY there was the whole NY underground hip hop scene going off, and before that I was very influenced by the LA underground stuff of the early 90’s. They were my inspiration, and I guess starting the label was my attempt to transplant some of that excitement across the Atlantic, to see if we could be part of that international underground thing.

Are there many risks in having a roster that spans so much geography, and so many genres? TTC from France, Roots Manuva from the U.K., the global Diplo, Spank Rock from the East Coast, Busdriver on the West...

  Yeah, the risk is that no one will buy your records. [laughs] Obviously there is the financial risk in doing it, but if you don’t risk anything in life you don’t gain anything in life, you know? The only way to make life bearable is to make it exciting, so that’s what we try to do with our music - so when you hear it your like f$%k this is great! You know, and working with that is always a pleasure no matter how well it does at the end of the day.

Speaking of these risks, apparently the story goes that Diplo was in Japan when he sent you his first demo, after reading an interview. He essentially came out of nowhere - so how soon was it until you signed him up?

It was actually quite a long process with Diplo, just because he made instrumental music and at the time the one thing that distinguished us from Ninjatune , was that we were an MC or vocal label, whereas they were a production based label. So it took a little while, but I knew as soon as I heard the demo I knew that it was special.

And now he's doing about 85 remixes a week, or something.

Exactly. We’re hoping… we have a vague suspicion that we might get a new album off him next year but I’m not going to hold my breath because he is a very busy man.

One last sneaky one - Spank Rock toured here last year, but were missing their main man, MC Spank Rock. I’ve heard so many different stories as to what happened, Will… Sexual preference was one excuse, or he had a fight with his DJ…

Well he missed his initial flight to Australia firstly. Then he went back the next day to the airport and they found a knuckleduster belt buckle on him so they held him for 24 hours, and by then he had missed his second flight and the start of the tour. So it certainly wasn’t quite what we were after (laughs) but hopefully he'll show up next summer.

He'd better.


WELL DEEP: 10 YEARS OF BIG DADA RECORDINGS
4 Stars
BIG DADA / INERTIA
12 OCTOBER
CUT & PASTE NOVEMBER 17 DOUBLE PASS
We’re into all kind of -Offs at the TS offices. Cook Offs, Dance Offs, So-You-Think-You-Can-Trance Offs… Pants-Offs… Cut & Paste, is a digital design-off that plays out live in front of an audience free to admire, applaud and hiss as the work stations of each contestant are projected throughout the Metro. Designing with the latest software to a particular theme and a terrifying time limit, the eight designers will be whittled down to a winner in a series of fast-paced rounds. It's judged by industry heavyweights according to the three criteria - “Originality, Technique and Overall Dope-ness”. And there’s even an Audience Design Contest, where you can have a fiddle with the latest programs in your own fifteen-minute design round.
EARN IT :: DOUBLE PASS:: CLICK HERE
SIGUR ROS DVD and Double CD Pack
One of our friends was in Melbourne last month when Sigur Ros dropped byto screen their film and play a gig. We called her straight after to ask how it was and all we got was this: “It’s not – There’s no –…”, silence, and then “it’s like listening to the universe give birth.” Sigur Ros are one of those overwhelming bands whose live acts apparently defy coherent explanation, but their first film Heima is a good try. It was shot over two weeks last year when the band played 15 unannounced concerts through Iceland, and filmed the beautiful continent between each of them. Best enjoyed with the double-album companion Hvarf-Heim: Hvarf is a studio record, but if you flip the case over you get Heim, an acoustic album. It's worth putting a whole day aside for this one.
EARN IT :: DVD AND CD PACKS :: CLICK HERE
CAPITAL L
Capital L is one of our favourite Darlinghurst boutiques, and this week they turn seven. They're celebrating in suitable creative style by launching their own inhouse label, PLEASELOUISE, and painting the town purple. We love it when people make Sydney a little bit shinier and the new mural decorating the shopfront, curated by Monster Children Gallery's Joseph Allen, has been splattered on by some of Sydney's finest artists: xx'zilla, webuyyourkids, Jonathan Zawada, Brett Chan, Dave Ladd, Ainslie Fletcher, Erin Forsyth, and J'aime Fazackerley. So it's Happy Birthday to them on the 15th of November at 333 South Dowling Street Darlinghurst, with music provided by Peace Out, Ro Sham Bo, Hoops, Health Club and many more.. "The party starts at 6pm and ends when the fuzz show up."
 
  XAVIER: RENEGADE ANGEL
On the one hand, it’s the most random stoner-humour we’ve ever seen and there’s a small part of us which hopes none of you will find it even remotely amusing. But then on the other hand, the main character is a renegade angel with a beak, backwards legs and a snake for one arm that he just uses to pick stuff up with. Either way, we saw it yesterday morning and couldn’t just let it pass with no comment.
 
 
HOLA MEXICO FILM FESTIVAL Chauvel Cinema  
15 - 21 November
Our favourite Chauvel will be dedicating six days to the Mexican film industry that’s been in the spotlight of late, after being nominated for 14 Oscars last year and winning five. There’s an Opening Night Fiesta, a short film festival and (obviously) a bunch of films, but for us the highlight will be the Tribute to Mexico, where they screen films by three of Mexico’s finest - Alejandro Gonzalez Inarritu (Babel), Guillermo del Toro (Pan’s Labyrinth), Alfonso Cuaron (Children of Men). There, we wrote that Whole Thing without any Mexican stereotypes at all… maybe except for using the word "Fiesta", but to be fair, they called it that themselves…
WIN IT :: DOUBLE PASS :: CLICK HERE
VITAL ORGANS Belvoir St. Theatre  
From 29 November
“Prepare yourselves for an evening of fairy tales, songs and stories that will take you through the history of modern medicine.” – what a way to start a media release. Vital Organs is the tenth and final play of this years’ B Sharp season at Belvoir Street theatre. It’s written and performed by Patrick Brammall and John Leary, a comedy duo who won the 2006 Philip Parsons Young Playwright’s Award Winners, were nominated for the 2007 Sydney Theatre Awards, and apparently don’t get enough of each other sharing the same house. A black comedy about a man, his pain, and the human body - and the press shot has a sock puppet in it.
WIN IT :: DOUBLE PASS :: CLICK HERE
THE WALL VS. HEAPS DECENT The World Bar  
14 November
Heaps Decent is a studio space that was formed when some Sydney-siders got Diplo onside to start a company helping young indigenous and underprivileged artists break out into the music scene - it was through them that that outback Australia’s Wilcannia Mob got their big break on the M.I.A album. The Wall is Sydney’s very first art-based club night, who’ve just moved shop to the World Bar. This Wednesday they’re celebrating together with a Wall-relaunch/Heaps-Decent-fundraising party, with a live graf show, music from Spruce Lee, Sleater Brockman, KATO, Wax Motif and SYLK, and all profits going to Heaps Decent. Throw Shapes is a pretty great e-zine sponsoring the night... So come on Wednesday and buy us ALL a drink.
  
THE MESS HALL Devil's Elbow  WIN IT :: THE MESS HALL :: CLICK HERE
My only vivid memory of Homebake a couple of years ago was how much sound these two created belting out ‘Disco 1’ when I was waiting in the line outside. Skip to 07’ and the second album is consistently less thumping than Notes From a Ceiling (2005), but that's okay because it leaves room for more exploration into a different territory – ‘Cookie’ ventures into a Cramps-style surf-rockabilly helped along by Loene Carmen on vocals. Heck, it could even BE The Cramps, it’s that retro. All you modernists may be irritated by the cowbell in ‘Keep Walking’ – but I assure you these boys have the attitude to pull it off. (AP)
RELEASED ON IVY LEAGUE 27 OCTOBER > MYSPACE

SOFT TIGERS Gospel Ambitions
Gospel Ambitions is such a playful album that it's easy to overlook it as a gimmick. But to do that would be to ignore a huge diversity of genres and a range of talent that's surprisingly well-executed on the debut album from a group of Canberranians who met at an Avalanches gig. Though perhaps a little too overloaded with jokes and poppy fun, there are moments of self-reflective poignancy in "The Clean Up Squad" and gentle, lo-fi delicacy in "1994" that make us wonder where they'll take it from here. It's difficult enough in an industry overflowing with new talent to get anyone to listen. Soft Tigers have gotten our attention - let's see if they can hold it. (SH)
RELEASED ON BELOW PAR/SHINY 22 OCTOBER > MYSPACE
FIERY FURNACES Widow City
From the siblings who released 2005’s ‘Rehearsing My Choir’, sung by their Gran on piano accompaniment, to their only-slightly-more-accessible ‘Bitter Tea’ of last year, the Furnaces finally release the breakthrough pop album of their career. Just kidding!! Widow City remains largely unstructured, with 6 minute songs that marry prog rock with elements of funk, and obscure lyrics with farmyard noises. But there are songs on the album you’ll love instantly – like ‘Duplexes of the dead’ for its wavering keys and sound effects, though others test patience with their elaborateness... and farmyard noises. (AP)
RELEASED ON LONGTIME LISTENER 06 OCTOBER > MYSPACE
GRAYSKULL Bloody Radio
The second release from Onry Ozzborn and JFK has a pile of guests including Aesop Rock, Cage, Pigeon John, and Atmosphere's Slug, along with a cameo from former Pretty Girls Make Graves vocalist Andrea Zollo. Don’t worry, with 15 tracks to share around it doesn’t sound like the Polyphonic Spree of rap. El-P fans will appreciate the dark mood of this album. The single ‘Scarecrow’ is incredibly tacky - skip to ‘Dope’ for a beat that would make Dre blush. (AP)
RELEASED ON SHOCK 15 SEPTEMBER > MYSPACE
DAMN ARMS The Live Artex
This Nicky 'PNAU' Littlemore-produced debut LP somehow successfully recreates the energy of their live shows, and is impressive just for that. At first concerned they'd struggle to break the electro-rock mould, I was surprised that they have effectively created an experimental punk album. Vocals sit back in the mix - ‘Edie’ and ‘The Not So Progressive Punks’ also have several tempo changes, which make them interesting listens time and time again. Worth noting is the secret track tacked on the end for its visceral screaming and tortured drumming – definitely the most intense listen this album has to offer. (AP)
RELEASED ON TIMBER YARD 03 NOVEMBER > MYSPACE
DAVID SHRIGLEY Worried Noodles Compilation
We gave a copy of this away last week but had to give it another mention after we'd had time for a few more listens. In 2007 TomLab records re-released David Shrigley’s 2005 pocketbook of obscure idiosyncratic lyrics and scrawls, after getting massive acts like TV On the Radio, Final Fantasy, Hot Chip and Franz Ferdinand to turn the written word into music. The 39-track album is as inconsistent as intended – some is quirky, some is disturbing, some is terrible and some is incredible. The only constant throughout is the questions the pack raises about the relationship between words, music and art. An album for enthusiasts of all three. (SH)
RELEASED ON TOMLAB/INERTIA11 NOVEMBER > MYSPACE
 THIS WEEK MUM, WHAM! AND WAYSIDE FASHION
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 LAST WEEK WHAM! AND DJ AYRES
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Editor Steph Harmon Layout & Computer Stuff & Other Things Matt Roden
Email steph@throwshapes.com.au Address 24 Bayswater Rd, Kings X, Sydney
Mobile 0422949374 Landline 02 9357 2744 Fax 02 9331 5511
Review Contributors Alex Pye, Lachlan Macara Photos Dominic Loneragan
 
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