04.04.08 : FUN'S OVER

And so here we sit, saying our goodbyes to the Summer festival season with sad, sunburnt eyes. Wrap up your Raybans, fold up your flouro (actually, maybe drown it in gasoline, burn it and throw the firey ball of grotesque at anyone who still hasn’t realised how terrible those colours look next to skin), throw out your thongs and pack away your poncho. And then write a reminder to yourself to stop wearing ponchos for festivals. And another one reminding you to stop labouring points and alliteration.

But maybe the fun’s not completely over - there are plenty of things to entertain you in the cold, harsh winter to come. We’ll help you. Why not discover religion, redecorate your house, monitor the election, or scour the country on a quixotic mission? I’ll just be over here imagining what it would actually be like to sunburn your eyes.

STOPPARD: ROCK N ROLL Sydney Theatre Co.

14 APRIL - 17 MAY > Tom Stoppard’s most recent comedy, Rock ‘N Roll, has been touted as “one of the greatest political plays in the English language”. It spans two countries, three generations, and 22 turbulent years of Czech history. There’s an English Marxist professor, there’s a Czech anti-Marxist student and, in typical Stoppard form, there’s an artistic movement potent enough to alter a society. In particular, it tells the story of the Plastic People of the Universe, an underground band who came to represent the Czech democratic movement that culminated in the Velvet Revolution. It’s got the anti-culture of rock up against the repression of the soviet bloc. It’s got the nostalgic soundtrack. It’s got the Stoppard. We’ve got the tickets.

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ESSENTIAL FESTIVAL Gaelic Club

25 APRIL > Last weekend ended the Summer Festival season (sad), but we're adaptable creatures. We'll move to Europe, buy gumboots for Splendour, or better yet just wipe off our muddy Chucks and make our way indoors. Sure there's less of that hedonistic, grassy, drunken sunshine goodness - but there's also less drunk, sunburnt and sweaty people to gross you out whenever you're surprised by a portaloo mirror. Enclosed in the cosy, classy cocoon of the Gaelic, they're opening up rooms you didn't even know existed. This year (apart from that whole Ratatat thing), they’ve got Regurgitator headlining a merry cast: the Seabellies, Dardanelles, Richard In Your Mind, Cuthbert and the Night Walkers, Grafton Primary, Shocking Pinks, The John Steel Singers, and more.

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UPDATES PIVOT, MUM + WHAM!
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 AND PLAYGROUND WEEKENDER, MUM AND WHAM!
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REVIEWED! KEVIN RUDD by Lachlan Macara

My query for you this week is whether being the Prime Minister of Australia is as delicious as it looks. If not, then the why the fuck does Kevin lick his lips so much?

As Autumn winds increase and the leaves start to dive bomb our faces, Kevin’s trust in the ability of his lips to keep themselves moist concerns us. Because if our leader can’t trust his own lips, we shouldn’t be expected to trust the rest of his face; or specifically his mouth and the words and noises emitted from such a watery vessel. Despite all these fears he decides to embark on a world tour IN THE FREAKING NORTHERN HEMISPHERE!!? You’ve got to be kidding yourself, Kevin. Are you at all prepared? No wonder you snubbed Japan, it reached as low as 6* in Osaka today – you’d die out there, man. Your lips would be split like the grand canyon. Only, in the desert. Of your face.

Sources close to him have suggested that, since breaking his popular earwax-eating habit, he’s struggled to find a physical idiosyncrasy which he’s comfortable with. John Howard had his eyebrows. Bob Hawke had his yardlong-beer habit. Harold Holt had his oceanic disappearances... and death... So what does Rudd get, outside of the Mr Sheen thing? He had to rule out cracking his knuckles after his own arthritis worries were added to by the passive-aggressive pointed grimacing of his parliamentary cohorts. And there have been claims that twirling his hair would be “a wasted exercise”. I’m forced to wonder, as philosopher Fred Durst so eloquently put it, “is your mouth writing cheques that your ass can’t cash”? Recent misspeaks in the US would suggest just that, with Rudd inexplicably referring to Rove McManus as “John Denton”.

Besides, the licking is a quick fix - everyone knows that. Try as you might to fool your lips into this two-second moistness, you just wait – just wait until you have to sleep, and they dry up like a barren wasteland... Everyone has to sleep... Sometime. SCORE: B-

> LACHLAN MACARA, FBi RADIO
 
 
 

WE GRAPHED THIS CITY
In January of this year, there were a bunch of sneakered nerds doing this. Since then, the netoweb has been attempting to explain all kinds of pop-cultural phenomenon through graphs. There are way too many to list, but these are some favourites. Yeah, you probably got the email too, huh... Whatever.

GREEDY HEN

I’ve always been fascinated by visual representations of music – be it through album art, posters, live projections, merch and music videos (speaking of, check out Bjork’s newie here). There are a few notable creatives in the Sydney scene that consistently delight with their ability to convey the mood of music – I’m thinking of Jefferton James, the We Buy Your Kids collective, Kris Moynes and of course, Greedy Hen.

Greedy Hen is the collaborative works of Katherine Brickman and Kate Mitchell who evolved “with snowball-like force” into an illustration, graphic design, and art workhorse that started in Sydney sometime in 2005. Their poster for Bill Callahan (above right) was one of my favourites of last year, and their ongoing work for Broken Stone Records is always enchanting – so I was curious about what they listen to:"Our music tastes are wide and various. Usually we get totally obsessed with a song and play it on repeat for an entire day (ie Cry Cry Cry by Little Red ) until one of us nearly explodes and then we move onto something else. When it comes down to a tight deadline Mitchell gets pumped to Axel Foley. Brickman goes on autopilot to Grizzly Bear.” Scroll down for more...

GRAND SALVO LAUNCH Factory Theatre
16 APRIL > Whenever you get the struck by the crippling malaise of creative ennui, I recommend either whipping out some pretentious foreign words, or heading for inspiration to the Big Breakfast of Australian label... menus. Spunk’s got the best parts of everything - Bat For Lashes, Belle & Sebastian, Bishop Allen, Bonnie Prince Billy and Built To Spill are just the ‘B’ part. My biggest gig regret of ’07 was missing out on their tenth birthday, where they got Jens Lekman, Andrew Bird, Joanna Newsom and Spoon to blow out the candles – and this little showcase night looks to be a low-key local version, with multi-instrumental, happily intelligent, and lyrically satisfying music of Grand Salvo, Firekites, Machine Translations… plus, everyone’s favourite “special guests”.
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LARS AND THE REAL DOLL Dendy Cinemas

FROM 03 APRIL > The fact that reviews for this film use words like ‘gentle’, ‘satisfying’, ‘poignant’ and ‘delightful’ immediately put it at odds with all I’d ever seen and heard about Real Dolls – the eerily lifestyle “love dolls” that a California company started manufacturing just over 10 years ago. Lars And The Real Doll was a Toronto Film Festival favourite, was written by Oscar-favourite Nancy Oliver, stars Acadamy Award-favourite Ryan Gosling, and features a Throw Shapes-favourite theme – a strange, misguided introvert and the sex-doll who loved him. Interested? Lonely? Got $8000 to spare? The real Real Dolls are available at this NSFW website. Poor? Shadenfruedic? Didn’t win tickets? Here’s a free 46 minutes of entertainment.

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SURRY HILLS FESTIVAL Prince Alfred Park

12 APRIL > Maybe we’re going overboard with the festival thing here, like blind men clutching moths in the dark on the camel’s back or something, but a festival’s a festival and all the proper ones are pretty much over now. Slurry Fest this year features a Chai Temple, a Healing Space, a fashion show, bands like Watussi, Kat Frankie, and the Dirty Secrets - and, of course, a shitload of markets and probably gozleme. All that said, we predict the best part of this day will be the magic tricks workshop from 1.30 – 2.30pm presented by The School of Transmogrification. Finally.

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GREEDY HEN
You might have already come across Greedy Hen’s album art for Des Miller (left) and Richard In Your Mind (right). So what do they think the relationship between music and art is? “Art and music are like vision quests - they're powerful magic makers. So perhaps we'd rather talk about what we think Good Art is and Good Art to us is like (as Bruce Nauman once said) getting hit in the face with a baseball bat. Or better, like getting hit in the back of the neck. You never see it coming; it just knocks you down. We like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not. And all that you can do is just stand there, gawking at the work or jiggling to the music with a stupid grin on your face….going 'ooh yeah'.”

Their pieces have a unique whimsical vibe that has the potential to move into the realms of science fiction while still retaining an earthily handmade, collage quality. They’ve done window installations, wall paintings, solo shows, billboards and short film, were recently commissioned to do some inventive installation work on The Panic’s film clip for “Don’t Fight It”, and a solo Brickman’s birdy collages were featured on opposing pages for a beautiful fashion shoot a few Frankie’s ago. Clearly, multi-talented. Why do they do it? “There's no choice in the matter. When we're not working on a project it's like we're riddled with jungle fever - we get all antsy and our eyes roll back in our heads and we start talking in tongues. It's just better for everyone this way.” Greedy Hen will be exhibiting work in a group exhibition at First Draft art gallery on April 23. And Kate Mitchell will be showing some video works at Chalk Horse on April 10.
  HELP DARKEN THE SKIES OF THE THIRD WORLD
Aha! A care package! The west has finally heard about our crippling poverty, and wants to share with us their exorbitant resources! Little Suresh, come quick! Use your good arm to carry your starving baby sister over to where your paralysed father lies, so he can watch through his eye while I just open this up like this, here, and here, and let’s see what’s - OHHH GOD BEES!!!!!!!!! (No but seriously, this counts as charity now?)
 
 

FLIGHT OF THE CONCHORDS S/T
Experts of comedy, genre, and having an incredibly hilarious TV show - it’s great to get an audio version to laugh to on your way to work like a drunken homeless person, but you knew it would be. Actually, the only reason we’re talking about this album here is to sweeten them up for an interview, because we were told they don’t like them - they’re probably bored of questions about being handsome and being from NZ. Dear Bret and Jemain, we will ask you about your music, your show and your work, and then we will fill up the rest of the fifteen minutes chatting wittily about politics, muesli and funky slap bass. In conclusion, call me. Love, Throw Shapes.
19 APRIL SUBPOP / SHOCK. CALL ME. >MYSPACE
KES Kesband
Kesband is a completely astounding album in it’s own right, falling short of Kes’ sophomore The Grey Goose Wing only because this time around I knew what to expect. Karl Scullin has a tender, unique voice that tiptoes curiously but self-consciously across whimsical, complex instrumental arrangements which underpin it all. His lyrics are fittingly warm invitations to each listener, asking them to quietly reflect, play or just sit with him a while in the intimate, shy universes of his mind. Mostly, I love that there’s finally an Australian so daringly experimenting with folk and form - but hey, I’m pretty predictable when it comes to this type of thing. (RS)
15 OCTOBER 07 FAT CAT RECORDS >MYSPACE
DEATH SET Worldwide
Super. Fun. The songs are teeny (longest is 2:24, shortest is 4 seconds), but so so punchy that they'll make you put your underpants on the outside and wrap your wrists in aluminium foil like a sexy, sexy spaceman that loves to dance. It’s like the Go! Team have been racking up with DEVO, which you'd think would make them more annoying but the result is actually LESS! Less annoying, more awesome and it’s hard to say how long it’ll last but right now, I’m a sexy, sexy spaceman that loves to dance. (RS)
12 APRIL COUNTER / INERTIA >MYSPACE
BE YOUR OWN PET Get Awkward
When Be Your Own PET!'s first album came out I was saying to anyone who'd listen, "Can you believe these guys are in High School? What have I been doing with my life? This album is amazing and I hate myself." Two years later I hear the Nashville outfit’s second and all I'm thinking is, "Please stop yelling. You're making me nervous. Go back to school." I could just be old, I could just be wise, or they could have just turned into Operator Please. While some bits are forgivably catchy, you heard it all before the first time, and I'm pretty sure once is enough. You'll enjoy it if you take a lot of speed. (RS)
24 MARCH XL / UNIVERSAL >MYSPACE
YVES KLIEN BLUE Draw Attention To Themselves EP
I really should have committed to reviewing some other young Australian band, because these guys are in no need of any push. They’re touring Europe now, having just left SxSW in Texas to support the Vines at the Bowery in New York – where they’re not even of legal drinking age. A surprisingly mature and bastardly moreish EP by four precocious rockabilly Brisbanites; please insert something about Arctic Monkeys, something about the Rapture, something about the Strokes, and nothing about anything you usually hear coming out of Australia. Maybe it doesn’t reinvent the rules, but it bends them, and its one of the most fun EP’s I’ve heard so far this year. (SH)
05 APRIL DEW PROCESS / UMA >MYSPACE