 |
 |
 |
 |
 |
 |
|
|
 |
|
 |
 |
|
 |
|
|
 |
 |
 |
  |
 |
|
And so here we sit, saying our goodbyes to the Summer festival season with sad, sunburnt eyes. Wrap up your Raybans, fold up your flouro (actually, maybe drown it in gasoline, burn it and throw the firey ball of grotesque at anyone who still hasn’t realised how terrible those colours look next to skin), throw out your thongs and pack away your poncho. And then write a reminder to yourself to stop wearing ponchos for festivals. And another one reminding you to stop labouring points and alliteration.
But maybe the fun’s not completely over - there are plenty of things to entertain you in the cold, harsh winter to come. We’ll help you. Why not discover religion, redecorate your house, monitor the election, or scour the country on a quixotic mission? I’ll just be over here imagining what it would actually be like to sunburn your eyes.
|
|
 |
 |
 |
 |
|
 |
 |
|
14
APRIL - 17 MAY > Tom
Stoppard’s most recent comedy,
Rock ‘N Roll, has been touted as
“one of the greatest political plays in
the English language”. It spans two countries,
three generations, and 22 turbulent years
of Czech history. There’s an English Marxist
professor, there’s a Czech anti-Marxist
student and, in typical Stoppard form, there’s
an artistic movement potent enough to alter
a society. In particular, it tells the story
of the Plastic People of the Universe,
an underground band who came to represent
the Czech democratic movement that culminated
in the Velvet Revolution. It’s got the anti-culture
of rock up against the repression of the
soviet bloc. It’s got the nostalgic soundtrack.
It’s got the Stoppard. We’ve got the tickets.
|
 |
| EARN
IT :: DOUBLE PASSES :: CLICK
HERE |
|
 |
 |
 |
|
25
APRIL > Last weekend ended the
Summer Festival season (sad), but we're
adaptable creatures. We'll move to Europe,
buy gumboots for Splendour, or better yet
just wipe off our muddy Chucks and make
our way indoors. Sure there's less of that
hedonistic, grassy, drunken sunshine goodness
- but there's also less drunk, sunburnt
and sweaty people to gross you out whenever
you're surprised by a portaloo mirror. Enclosed
in the cosy, classy cocoon of the Gaelic,
they're opening up rooms you didn't even
know existed. This year (apart from that
whole Ratatat thing), they’ve got
Regurgitator headlining a merry cast:
the Seabellies, Dardanelles,
Richard In Your
Mind, Cuthbert and the
Night Walkers, Grafton
Primary, Shocking Pinks,
The John Steel Singers,
and more. |
 |
| EARN
IT :: DOUBLE PASSES:: CLICK
HERE |
|
 |
 |
|
 |
|
 |
 |
 |
 |
|
| UPDATES |
PIVOT,
MUM + WHAM! |
CLICK
HERE
TO
SEE THE WHOLE GALLERY |
|
|
 |
| AND |
PLAYGROUND
WEEKENDER, MUM AND WHAM! |
CLICK
HERE
TO
SEE THE WHOLE GALLERY |
|
|
 |
|
 |
 |
 |
 |
|
 |
|
|
|
 |
 |
|
My query for you this week is whether being the Prime Minister of Australia is as delicious as it looks. If not, then the why the fuck does Kevin lick his lips so much?
As Autumn winds increase and the leaves start to dive bomb our faces, Kevin’s trust in the ability of his lips to keep themselves moist concerns us. Because if our leader can’t trust his own lips, we shouldn’t be expected to trust the rest of his face; or specifically his mouth and the words and noises emitted from such a watery vessel.
Despite all these fears he decides to embark on a world tour IN THE FREAKING NORTHERN HEMISPHERE!!? You’ve got to be kidding yourself, Kevin. Are you at all prepared? No wonder you snubbed Japan, it reached as low as 6* in Osaka today – you’d die out there, man. Your lips would be split like the grand canyon. Only, in the desert. Of your face.
Sources close to him have suggested that, since breaking his popular earwax-eating habit, he’s struggled to find a physical idiosyncrasy which he’s comfortable with. John Howard had his eyebrows. Bob Hawke had his yardlong-beer habit. Harold Holt had his oceanic disappearances... and death... So what does Rudd get, outside of the Mr Sheen thing? He had to rule out cracking his knuckles after his own arthritis worries were added to by the passive-aggressive pointed grimacing of his parliamentary cohorts. And there have been claims that twirling his hair would be “a wasted exercise”. I’m forced to wonder, as philosopher Fred Durst so eloquently put it, “is your mouth writing cheques that your ass can’t cash”? Recent misspeaks in the US would suggest just that, with Rudd inexplicably referring to Rove McManus as “John Denton”.
Besides, the licking is a quick fix - everyone knows that. Try as you might to fool your lips into this two-second moistness, you just wait – just wait until you have to sleep, and they dry up like a barren wasteland... Everyone has to sleep... Sometime. SCORE: B- |
|
|
 |
 |
 |
|
 |
In January of this year, there were a bunch of
sneakered nerds doing
this. Since then, the netoweb has been attempting
to explain all kinds of pop-cultural phenomenon
through graphs. There are way too many to list,
but these
are
some
favourites.
Yeah, you probably got the email too, huh... Whatever.
|
 |
 |
 |
|
 |
 |
|
 |
 |
|
|
|
 |
I’ve always been fascinated by visual representations of music – be it through album art, posters, live projections, merch and music videos (speaking of, check out Bjork’s newie here). There are a few notable creatives in the Sydney scene that consistently delight with their ability to convey the mood of music – I’m thinking of Jefferton James, the We Buy Your Kids collective, Kris Moynes and of course, Greedy Hen.
Greedy Hen is the collaborative works of Katherine Brickman and Kate Mitchell who evolved “with snowball-like force” into an illustration, graphic design, and art workhorse that started in Sydney sometime in 2005. Their poster for Bill Callahan (above right) was one of my favourites of last year, and their ongoing work for Broken Stone Records is always enchanting – so I was curious about what they listen to:"Our music tastes are wide and various. Usually we get totally obsessed with a song and play it on repeat for an entire day (ie Cry Cry Cry by Little Red ) until one of us nearly explodes and then we move onto something else. When it comes down to a tight deadline Mitchell gets pumped to Axel Foley. Brickman goes on autopilot to Grizzly Bear.” Scroll down for more... |
 |
 |
 |
 |
 |
|
 |
|
|
|
|
|
|
 |
 |
|
|
| 16
APRIL > Whenever you get the struck
by the crippling malaise of creative ennui,
I recommend either whipping out some pretentious
foreign words, or heading for inspiration
to the Big
Breakfast of Australian label... menus.
Spunk’s got the best parts of everything -
Bat For Lashes, Belle
& Sebastian, Bishop Allen,
Bonnie Prince Billy and Built
To Spill are just the ‘B’ part. My
biggest gig regret of ’07 was missing out
on their tenth birthday, where they got Jens
Lekman, Andrew Bird,
Joanna Newsom and Spoon
to blow out the candles – and this little
showcase night looks to be a low-key local
version, with multi-instrumental, happily
intelligent, and lyrically satisfying music
of Grand
Salvo, Firekites,
Machine
Translations… plus, everyone’s favourite
“special guests”. |
|
 |
|
 |
 |
|
FROM
03 APRIL > The fact that reviews
for this film use words like ‘gentle’, ‘satisfying’,
‘poignant’ and ‘delightful’ immediately
put it at odds with all I’d ever seen and
heard about Real Dolls – the eerily lifestyle
“love dolls” that a California company started
manufacturing just over 10 years ago. Lars
And The Real Doll was a Toronto Film Festival
favourite, was written by Oscar-favourite
Nancy Oliver, stars Acadamy Award-favourite
Ryan Gosling, and features a Throw Shapes-favourite
theme – a strange, misguided introvert and
the sex-doll who loved him. Interested?
Lonely? Got $8000 to spare? The real Real
Dolls are available at this NSFW website.
Poor? Shadenfruedic? Didn’t win tickets?
Here’s a free 46
minutes of entertainment. |
|
 |
|
 |
|
|
12
APRIL > Maybe
we’re going overboard with the festival thing here, like blind men clutching moths in
the dark on the camel’s back or something, but a festival’s a festival and all
the proper ones are pretty much over now.
Slurry Fest this year features a Chai
Temple, a Healing Space, a fashion show,
bands like Watussi, Kat
Frankie, and the Dirty
Secrets - and, of course, a shitload of markets and probably gozleme. All
that said, we predict the best part of this
day will be the magic tricks workshop from
1.30 – 2.30pm presented by The School of
Transmogrification. Finally. |
|
 |
|
 |
 |
|
 |
|
|
 |
|
|
|
 |
You might have already come across Greedy Hen’s album art for Des Miller (left) and Richard In Your Mind (right). So what do they think the relationship between music and art is?
“Art and music are like vision quests - they're powerful magic makers. So perhaps we'd rather talk about what we think Good Art is and Good Art to us is like (as Bruce Nauman once said) getting hit in the face with a baseball bat. Or better, like getting hit in the back of the neck. You never see it coming; it just knocks you down. We like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not. And all that you can do is just stand there, gawking at the work or jiggling to the music with a stupid grin on your face….going 'ooh yeah'.”
Their pieces have a unique whimsical vibe that has the potential to move into the realms of science fiction while still retaining an earthily handmade, collage quality. They’ve done window installations, wall paintings, solo shows, billboards and short film, were recently commissioned to do some inventive installation work on The Panic’s film clip for “Don’t Fight It”, and a solo Brickman’s birdy collages were featured on opposing pages for a beautiful fashion shoot a few Frankie’s ago. Clearly, multi-talented. Why do they do it?
“There's no choice in the matter. When we're not working on a project it's like we're riddled with jungle fever - we get all antsy and our eyes roll back in our heads and we start talking in tongues. It's just better for everyone this way.”
Greedy Hen will be exhibiting work in a group exhibition at First Draft art gallery on April 23. And Kate Mitchell will be showing some video works at Chalk Horse on April 10. |
 |
 |
 |
| |
 |
HELP
DARKEN THE SKIES OF THE THIRD WORLD
Aha! A care package!
The west has finally heard about our crippling
poverty, and wants to share with us their
exorbitant resources! Little Suresh, come
quick! Use your good arm to carry your starving
baby sister over to where your paralysed father
lies, so he can watch through his eye while
I just open this up like this, here, and here,
and let’s see what’s - OHHH GOD BEES!!!!!!!!!
(No but seriously, this counts as charity
now?) |
|
| |
|

 |
 |
|
|
 |
|
 |
|
  |
 |
 |
|
| Experts of
comedy, genre, and having an incredibly hilarious
TV show - it’s great to get an audio version
to laugh to on your way to work like a drunken
homeless person, but you knew it would be.
Actually, the only reason we’re talking about
this album here is to sweeten them up for
an interview, because we were told they don’t
like them - they’re probably bored of questions
about being handsome and being from NZ. Dear
Bret and Jemain, we will ask you about your
music, your show and your work, and then we
will fill up the rest of the fifteen minutes
chatting wittily about politics, muesli and
funky slap bass. In conclusion, call me. Love,
Throw Shapes. |
| 19
APRIL |
SUBPOP
/ SHOCK. CALL ME. |
>MYSPACE |
 |
|
|
 |
 |
 |
|
| Kesband
is a completely astounding album in it’s own
right, falling short of Kes’
sophomore The Grey Goose Wing only
because this time around I knew what to expect.
Karl Scullin has a tender, unique voice that
tiptoes curiously but self-consciously across
whimsical, complex instrumental arrangements
which underpin it all. His lyrics are fittingly
warm invitations to each listener, asking
them to quietly reflect, play or just sit
with him a while in the intimate, shy universes
of his mind. Mostly, I love that there’s finally
an Australian so daringly experimenting with
folk and form - but hey, I’m pretty predictable
when it comes to this type of thing. (RS) |
| 15
OCTOBER 07 |
FAT
CAT RECORDS |
>MYSPACE |
 |
|
 |
 |
 |
|
| Super. Fun.
The songs are teeny (longest is 2:24, shortest
is 4 seconds), but so so punchy that they'll
make you put your underpants on the outside
and wrap your wrists in aluminium foil like
a sexy, sexy spaceman that loves to dance.
It’s like the Go! Team have
been racking up with DEVO,
which you'd think would make them more annoying
but the result is actually LESS! Less annoying,
more awesome and it’s hard to say how long
it’ll last but right now, I’m a sexy, sexy
spaceman that loves to dance. (RS) |
| 12
APRIL |
COUNTER
/ INERTIA |
>MYSPACE |
 |
|
|
 |
 |
 |
 |
|
| When Be
Your Own PET!'s first album came
out I was saying to anyone who'd listen, "Can
you believe these guys are in High School?
What have I been doing with my life? This
album is amazing and I hate myself." Two years
later I hear the Nashville outfit’s second
and all I'm thinking is, "Please stop yelling.
You're making me nervous. Go back to school."
I could just be old, I could just be wise,
or they could have just turned into Operator
Please. While some bits are forgivably
catchy, you heard it all before the first
time, and I'm pretty sure once is enough.
You'll enjoy it if you take a lot of speed. (RS) |
|
 |
 |
 |
|
| I really should
have committed to reviewing some other young
Australian band, because these guys are in
no need of any push. They’re touring Europe
now, having just left SxSW in Texas to support
the Vines at the Bowery in
New York – where they’re not even of legal
drinking age. A surprisingly mature and bastardly
moreish EP by four precocious rockabilly Brisbanites;
please insert something about Arctic
Monkeys, something about the
Rapture, something about the
Strokes, and nothing about anything
you usually hear coming out of Australia.
Maybe it doesn’t reinvent the rules, but it
bends them, and its one of the most fun EP’s
I’ve heard so far this year. (SH) |
| 05
APRIL |
DEW
PROCESS / UMA |
>MYSPACE |
 |
|
 |
| | |
|