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Sydney’s favourite electro-hip-hop-sex-god Spod has returned from a lengthy hiatus with a brand-new 7inch ‘concept EP’ entitled Aminals (sic.). Conrad Richters caught up with Spod, aka Brent, over a few beers to talk animals, vinyl and just being awesome.
You’ve just released ‘Aminals’, a 7inch single with three animal-themed songs. Two of which are about cats. How did it come together?
It all started when I wrote ‘Cats’. I was playing with a Super Nintendo thing, making a little melody out of it. It has little animal heads, like little cat and dog heads on |
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a midi-timeline sort of thing in Mario Paint on the Super Nintendo. So I made this melody out of it, and it was really easy and really fun and I was like ‘Fuck! That’s really fucking good!’ and I just thought it was the funniest thing I’d ever heard. I also really like it coz I’d never written a sort of, I don’t know what you call it, a sort of dum-ba-dum-ba-dum-ba-dum-ba…
A swing beat?
Yeah, coz everything I do is a sort of boom-chick-boom-boom-chick sort of thing. So I wanted to do a song that was all swing. It sounds like a fat cat walking..
(Click here..) |
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Brad Neely is the guy behind Creased Comics, Baby Cakes, China, Illinois, the Professor Brothers AND the infamous Dear Reader, Wizard People.
"As a little kid I wanted to be a stand-up comedian and a cartoonist. I did impressions and break-danced. Then I got really into martial arts. Next, I took up weirdness… By the time I graduated (which is when being a kid stops), I had covered most of the usual ground… I wanted to look like The Minutemen, but a lot of me wanted to be Weird Al.”
So Brad Neely is pretty much like us then, except with less of a boner for Brad Neely, and more actual ability.
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Jessica Geron (above) is one of the eleven artists being showcased at Sydney's SafARI fringe arts festival in mid-June. Her camp, impasto-style paintings are influenced and inspired by chance discovery from pop culture, junk mail and vintage magazine covers, which she appropriates to form her own narratives.
Since its inception, the Biennale of Sydney (BoS) has showcased more than 1250 big name artists from over 60 countries in globally renowned exhibitions, symposiums, performances, workshops and panels. But when Swiss artist Frederic Post came along in 2004, he said to Sydney, “okay but… what else is happening?”
A fair enough question. Pretty much every other major international art festival has a fringe version running alongside and waving furiously at the crowds, to attract attention to the emerging and often underground arts largely unrepresented within the Establishment. Brighton, Dublin, Prague, New York and Toronto all have their own festivals slip-streaming to the margins the multitudes of visitors who visit during global Arts Festivals. There’s over forty around the world now. Melbourne’s got one. Even Adelaide has one. Seriously, even Adelaide. So I guess the long-winded question we’re trying to wrap our minds around here is, where the shit is Sydney’s fringe?
Well guess what. We think we found a start.
When Lisa Corsi and Margaret Farmer heard the aforementioned lament of Mr. Post, they got straight down to business securing spaces, looking into funding and making a national call for submissions to emerging Australian artists. The first SafARI Festival was held in 2006, scheduled as an unofficial fringe festival during the opening weeks of the 15th Biennale of Sydney - one of the world’s leading international art symposiums. Celebrating its second birthday this year, SafARI will open on June 13 and run til the month’s end, offering a platform for underground (but rising) Australian artists to show off to the quarter of a million visitors expected during the 16th Biennale. According to Corsi, showcasing the Fringe is absolutely essential to a fair representation of the Australian art community during the BoS:
“A fringe adds to the width and breadth of the visual arts make-up of any city. It makes absolute sense to make as much of the spectrum as visible as possible, particularly when you have such an internationally high profile event taking place.”
Keep scrolling for more…
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OMFG! MY OWN MEMORY IS TEH FUNNY!
Hey you guys! It's a new movie that references other movies! SNAP! Remember when you laughed at Napoleon Dynamite? We recognised your laughter and put him back on screen, so laugh at him again! If only someone did this but with funny stuff off the w.w.web! InterSNAP! Quick! Put the "I FUCKING LOVE DRAWING KID!" in "Two Girls One Cup"! y_o_u_b_r_o_k_e_t_h_e_m_a_t_r_i_x_s_n_a_p_! |
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+ Chimps Dressed As People: Awww... they think they're people! According to the BBC 'documentary', Chimps are People Too. Who knew? But they should've called it Chimps Are SIDEKICKS Too. It's a well known fact that no self-respecting screwball comedy would be the same without a mischievous chimp making a mess of every situation, only to have the little wiseguy save the day at the 11th hour. Monkey business + slapsticks = hit!
+ Dance Off Competitions: Is there anything more enthralling than watching as hordes of attention-hungry amateurs hound the dancefloor? How about pitting them against each other in vigorous, vomit-enducing elimination rounds, whittling them down to an explosive one-on-one finale, the crowd going wild a-la You Got Served? This is exactly the premise for DUKE's 3rd Annual Dance-off (June 12th at Oxford Art Factory), a competition to crown the King or Queen of the dance-floor! Only exhibitionists need apply.
+ Zines: Spend incalculable hours drawing doodles wasting time, while working at Kinko's/bookshop/record store/with retards. Type out (on a typewriter) your embarrassing emotional outpourings/'funny' anecdotes/everyday occurrences and structure a crude biographical extract. Bare your soul. Cut-out and paste photos of strangers, amateur scribblings, old children's book clippings and spend days assembling 'haphazardly'. Photocopy, staple and then flog your humourless, self-indulgent waste for $2 max - RRP!
+ Growing Old: How sad to see over 35's partying like the youthful imbeciles they once were (as opposed to the elderly imbeciles they are now).. How sad to have to grow old.. Women between the ages of 45-70 should kill themselves or go into hiding. Men however can do what they want - like a fine wine, they get better with age. That's life.
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04
JUNE > Our office is split on the Bravery. Half of us thinks they have huge legitimacy in spite of changing trends, being one of the bands who were at the forefront of the dance-rock wave, surfing the tip of it before it crashed onto the fluro shore of the nu-rave disco, calming down only to gently carress the mossy rockpools of alt-folk. The other half of us listen to them and remember every Saturday morning three years ago at 2am precisely, when they would drag their friends out of Purple Sneakers before they spewed into the bathroom sink at the end of "Honest Mistake". If you can convince that half why they shouldn't have left the party so early, you'll win some tickets. |
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| EARN
IT :: DOUBLE PASSES :: CLICK
HERE |
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Liam Benson's documented performances cross reference sub-cultural and popular imagery to look at how discrimination functions. Timothy Kendall Edser's performance installations are part of an ongoing piece called Tension, which explores the interaction between the body and the environment with a focus on the ideals of masculine identity. Both Liam and Tim's work is also being shown at SafARI, which runs from the 13th - 29th of June.
If art festivals were limited to simply re-establishing the masterminds of the mainstream, culture would never get anywhere. Fringe Festivals are usually traced back to 1947, when the Edinburgh International Festival was launched to break the bitterness of post-war Europe by showcasing the good parts we could all hold hands about – high art and culture. Alot of people liked the idea, including eight independent theatre companies who rocked up without invites; only to be refused rooms in the heart of town. Rather than go home, they decided to Take Their Business Elsewhere Thankyou Very Much, and set up a few gigs on the outskirts of Edinburgh. And in an ironic Sucked In To You, the little Fringe Fest brother has since overtaken it as the largest arts celebration in the world.
Sydney’s SafARI intends to offer an experience in a similar vein; according to organiser Lisa Corsi, its aim is to ensure guests of the Biennale are treated to the best of both worlds - the Establishment of global contemporary art and the grassroots initiatives from which it often spawns. Artist Run Initiatives (ARIs) are grassroots spaces rented by artists to run independent shows that exist outside the commercial gallery culture, and SafARI curator Lisa Corsi explained to us why they're so integral to Sydney's art scene:
“They're a crucial water hole for any city’s cultural development … often they’re the places that many return to at later stages of their careers to continue research and experiments without commercial imperative.” This year, the three ARIs getting involved in the SafARI fringe project are the raw China Heights Gallery, the stalwart MOP Projects and newbie Gaffa Gallery, w hich accommodates for design as well as other artistic expressions.
So if the Biennale of Sydney catalogues where global contemporary art is right now, SafARI shows where it begins, “providing a sneak peek into the work of those at the forefront of tomorrow.” How did Corsi pick which artists to throw to the lions of the Bienalle’s crowds? “By keeping a very open mind, while always remaining conscious of the context in which art and these artists exist. It’s also a matter of trying not to be influenced by current trends… There are a number of treasures that have emerged that have a rather different approach, because they’re still so new to the game. It’s a refreshing exercise.”
Lisa Corsi - COFA grad,10 years experience in art administration, Swiss ARI curator and most recently Curatorial and Collections Manager at Sherman Galleries - has earned the right to tell us what she thinks the Sydney art community needs more of: “Discussion and sincere action to help educate about the necessity of culture.” And less? “Less fluff.”
SafARI Fringe Festival is being held (FREE!) from the 13 June – 29 June at Gaffa Gallery, China Heights and MOP.
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| UPDATES |
ST. AUGUSTINES FASHION SHOW + WHAM! |
CLICK HERE TO
SEE THE WHOLE GALLERY |
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| AND |
DIE! DIE! DIE! + WHAM! |
CLICK HERE TO
SEE THE WHOLE GALLERY |
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| I call it "when the past meets the future", they call it "Baroque harmonic pop jams", and something else I read used the phrase “music as a replacement for the natural world”. I guess it’s a bit of all three, and while Sun Giant might not make my best of ’08 list I’m pretty sure that the song 'Mykonos' will be in my top ten. Go here to listen to it, and if you hate it from the start please just imagine me or someone like me (a big wussy nerd-face head) standing behind you going “hang on, the good bits coming, just wait... quick, hold my hand.” I'm a loser, it happens at 2:20. (SH) |
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| If you've ever wanted to know what life would be like as a member of a fun death cult pick up Snowman's latest album: The Horse, The Rat & The Swan. It's so good. It makes you want to stab people enough to stop yourself and think "Whoa…crazy!", but luckily not enough to actually do it. Everybody wins! Vocals oscillate between cathartic shrieking to chanting, with heavy guitars and rumbling drums - and sometimes break out into something dancey (even cult members like to dance). This album beats you up and then starts crying and begging for forgiveness only to deliver another punch 5 minutes later before going surfing with demons. WOW. (RS) |
| 26
APRIL |
DOT DASH / INERTIA |
>MYSPACE |
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| James Singleton, or Pants to his friends (sorry), sums his debut up in one: "I'm not very good at finishing songs... but I’m good at starting them.” This Stones Throw (Doom, Jay Dee, Madlib) release pulls you in enough to be interested in its down-tempo disco, but like a fine glass exhibition, you're probably not going to stay for ages. I dunno, ask Pants' label boss Peanut Butter Wolf about it when he plays at Oxford Farts Actory next week. I'm good at starting reviews but not very good at (LM) |
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| Quebec’s Genevieve Castree is better known in her hometown as an artist – she learned guitar after deciding her illustrations would be better if they had a soundtrack to go with. Her songs do actually sound a lot like her finelines and pencil drawings would if they could sing; haunting melodic meanderings with a backdrop of complex but intimately layered landscapes. So kind of like what would happen if Bjork and Coco Rosie got lost on a haunted night in a French version of “Where The Wild Things Are”, and had to use their voices to find each other. Or maybe it just sounds a lot like this and a little bit like this. (SH) |
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| We held
on this review to avoid
immediate hyperbole and we're glad we did, because when it comes down to it, Narrow Stairs
is really just another Death Cab album. When an indie
great stays together after going platinum,
anything can happen. Modest Mouse brought on Jonny Marr, the Shins gave us their
best(ish), Bright Eyes went epic, the Decemberists went quiet and DCFC went maybe a bit more experimental. This album has Gibbard's nostalgic voice exploring more existential and pessimistic themes intimately through weirdo characters. If you try for it,
you can read into the album name for that
- similarly if you really want to love
it, you will. (SH) |
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The giant pink billboards were right, I got Carried away...
To hell. *Riotous laughter and tumultuous applause* (LM) |
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Editor Steph
Harmon Cover Art & Layout Matt Roden
Email steph@throwshapes.com.au Address 24 Bayswater Rd, Kings X, Sydney
Mobile 0422949374 Landline 02 9357 2744 Fax 02 9331 5511
Contributors Ramona Spanx / Lachlan Macara Photos Daniel Munns and Irina Belova |
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